Kay Maestro M-1 Bass



Bill with Kay Maestro M-1 in Tampa, FL - Aug 5, 1956
Photo © Bob Moreland courtesy Ger Rijff 's The Cool King

Sometime after their first appearance on the Louisiana Hayride on October 16, 1954, Bill Black apparently switched from the concert bass he had been playing to this one, presumably* a 3/4 scale Maestro M-1 Kay bass.  According to Sid Lapworth who worked at the O.K. Houck Piano Co., Bill came to Houck's looking for a bass but found none so Sid sold him his privately for $120.00 cash.  He is pictured using this one in just about every concert, studio and movie performance after that (except on some TV appearances where he was using a rental) until early 57 when he started using a Fender Precision Bass.  Sometime after June of 1955, like Elvis did with his Martin D-18, Bill also applied the rectangular stick on letters spelling his name on the body, though sometime later after the bass was refinished (possibly post Elvis years) the letters were replaced with the more conventional and still available parallelogram shaped ones.


Scotty, Elvis and Bill with M-1 at Messick HS - Feb. 1955


Scotty, Elvis, D.J. and Bill - Cotton Bowl, Dallas, TX Oct. 11, 1956
Photo© courtesy Steve Bonner


Scotty, DJ, Elvis and Bill in "Loving You", Paramount 1957


Neal Matthews, Elvis, Junior Smith, Cliff Geaves and Bill
Jailhouse Rock Sessions at Radio Recorders, Hollywood, CA May 1957

The scrolls are the things glued onto the headstock (top end of bass) that look like roses. These glued-on roses frequently fall off. Pictures of Bill's bass throughout his time using it show the scrolls there and then not. Roger Stowers of the Kay Bass Registration and Information website said the edges on these basses frequently break off and quite likely the white trim was installed to clean up the edges and make the bass look a little better. Sid Lapworth said Bill put tape on the edges for protection when he laid it down and that it wasn't on it when he sold it to him.  Other basses with such trim is the stuff used on the edges of car doors. Body shops sell it.  Scotty said Bill later had the edges painted white.


Taped edges of Bill's bass
Photo© courtesy Steve Bonner


M-1 headstock with Kluson tuners and scrolls
Photo© courtesy R. Stowers


Early Hi Release album cover featuring Bill's Bass (note reversed image and missing 'B''

Around 1962 Bill sold this bass to Mike Leech.  Mike would later become one of the house musicians at Chips Moman's American Sound studios and among many hits would also play on the sessions with Elvis when he recorded there in 1969 (not with this bass).  The bass remained in his attic until sometime in the late '70s.  Through a deal arranged with Larry Rogers1 the bass was sold to Buddy Killen, possibly for the purchase for Paul McCartney by his wife Linda.  Paul considers it one of his most prized possessions and has used it on several occasions to record.


Linda and Paul McCartney with Bill's bass c.1979
Photo by David Thorpe courtesy "Back To the Egg" music book
© 1979 MPL Communications Limited

"The second most popular bass shape was the Maestro model.  These basses were shaped like oversized fiddles.  The upper bouts were very similar to the Concert models except they had pointed corners where the upper bout and the middle bout jointed. The Maestro model was frequently called the M-1 and was identical in construction to the Concert models.  The only difference was the corner shape on the upper bout.  The Maestro shape was the second of two bass shapes offered by the Kay Musical Instrument Company. Like the Concert model, the Maestro model had many variations. The simplest M-1 was brown toned with Kluson tuning gear. Most complex and decorative were the S models with a Maestro shape. These S models came with inletted purfling around the front and back edges and around the f-holes.  The fingerboards and tailpieces were made of ebony along with a horseshoe shaped piece of ebony installed on the neck heel. "
Roger Stowers
Kay Bass Registration and Information

page added June 6, 2003
 

 



Jordanaires, Elvis, Scotty, D.J. and Bill
Mississippi-Alabama Fair and Dairy Show, Tupelo Fairgrounds Sep. 26, 1956
Photo courtesy Steve Bonner

The subject often comes up about the actual color of the bass.  We have not yet been able to obtain a color photo (or any actually) from Sir Paul or his management so we can't be certain.  Sid Lapworth who originally owned it said that at some point Bill had painted it Gold.  Scotty has said several times now that he only recollects it as being brown.  Bob Tucker, who replaced Bill as the bass player in the Bill Black Combo in 1962 was in possession of it for a few hours prior to the sale to the McCartneys, recollects it as being gold as does Mike Leech who bought it from Bill.  Featured on an early release album cover for the Bill Black Combo shows a gold color and a missing letter from the orignal stick on fonts.  Some color photos from the performance in Tupelo in September of 1956 show it as being brown but a discolored still from the movie "Loving You" in 1957 (see above) show it as a light bronze (or gold, assuming its the same bass).  If in fact it was or is painted gold then it would likely to have been done so obviously sometime after late 1956 or early 1957.


Paul with Bill's bass at home in 1997
capture from "In The World Tonight"


Paul at Abbey Rd.

*not having access to the actual bass to formerly verify the make and model by the ID label inside we've scrutinized as many photos as possible of the profile, shape, tuners and tailpiece to unofficially identify it as a Kay Maestro M-1

1Larry Rogers is currently the owner of Studio 19 in Nashville, Scotty's former Music City Recorders, and business partners with Bob Tucker in the distribution of the music of the Bill Black combo

section added April 24, 2005

 

 
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