| 1956 Fender Precision Bass 
         Bill with his 1956 Fender P Bass #13182 - ca.1959
 In 1957 Bill Black acquired a 1956 Fender
        Precision Bass, serial #13182.  Sid Lapworth from O.K. Houck said he delivered it to Elvis personally
        for Bill sometime after Elvis first moved in
        to Graceland. Graceland was purchased in March of 1957 and though the 
        family moved
        there in May, Elvis did not spend his first night there until the end of 
        June. 
         Bill with Fender and Kay basses during JHR sessions at Radio
        Recorders - May 1957
 Photo courtesy David English
 
         Bill with Kay and Fender basses during JHR sessions at Radio
        Recorders - May 1957
 Photo courtesy David English
 
 Initially introduced in 1951 by Fender
        Musical Instruments it was, as Peter Guralnick wrote, "achieving
        almost instant adoption in all fields but bluegrass, because it was
        compact, amplified and for the precise fretting it allowed".* 
        In April and May of 1957, Bill would first use one along with his Kay
        Maestro for the recording sessions of Jailhouse Rock and also at
        several live performances.  Scotty said, "all
        the people going along on the trips with Elvis' group got to take up so
        much room that there was no longer room for the big bass, so he began to
        play an electric." 
  Elvis with a 1955/6 Fender P Bass at MGM's soundstage, Hollywood, CA - May 1957
 Photo courtesy David English
  1956
 was one of the transitional years for several of Fender's line when they switched
        body wood from ash, a highly figured wood, to plain grained alder for
        most of production along with vinyl pick guards from polystyrene.  On the basses
 the finger/thumb rests switched from a one screw mounted wooden rest to a two screw
 mounted plastic.  Though Bill's featured the latter, they were 
        actually thought
        to have changed in early 1957. By mid 1957 the P Bass itself was
 redesigned. 
         1956 Fender Precision Bass similar to Bill's but with an early style
        finger rest
 Photo © James V. Roy
 
         1956 Fender P Bass Headstock and tuners on a Maple neck
 Photo © James V. Roy
 The
        serial number for Bill's P Bass puts it in the range said to be built in
        1956. Unfortunately dating older Fender instruments by serial number is
        at best an approximation. Fender was less interested at the time in
        tracking serialization than they were at producing a quality product.
        When Fender migrated to serial numbers on the neck plates in 1954 all of 
        their guitars were supplied from the same box, in a sense, in no 
        particular order (some basses though had numbers on the bridge as late a 
        '56).  As such other techniques like checking handwritten 
        stamps and dates on necks, bodies, and pickups, along with potentiometer codes and features at times provide closer
        estimations. 
         Finger rests on a 1955 P Bass and an early pre-redesign
        1957
 Photos courtesy MyGear
        and Chicago Music Exchange
 Unlike automobile manufacturers, certain features and
        styles don't begin and end with each model year and Fender often
        retooled as necessary which resulted in certain features overlapping
        models often classified as certain model years.  Parts like
        potentiometers were 
        sometimes bought in lots and supplies were used as needed. 
         A sunburst ash body 1955 or 56 Fender P Bass with the bridge 
        cover reversed
 Photo courtesy Gbase
 
         1956 Fender P Bass, Alder body with a sunburst finish and
        older style finger rest
 Photo © James V. Roy
 
 The 1956 Fender Precision Bass traditionally has a 34" scale length and featured a two tone sunburst 
 (or  blond) finish on a solid
        Ash or Alder body, 20 fret Maple neck with a 7.25" radius, 1 single coil pickup,
        Nickel/Chrome plated hardware with a Volume and Tone control. 
         Graceland Archives replica Invoice for Bill's Fender P Bass
 courtesy Ken Wilbury
 The P
        Bass that Bill, and Elvis, are pictured using in the April/May sessions has the earlier style finger rest and
        appears to have an ash body. Archives
        at Graceland has an invoice for a Precision Bass and amplifier from O.K.
        Houck's dated in August, which in all likelihood is for the one actually
        delivered by Sid, and is the alder bodied bass with the two screw
        plastic rest. Bill used it on his last tour with Elvis in the fall of 1957 and then
        later on Hi Records with the  Bill Black Combo. 
         Scotty, Elvis, DJ and Bill with P Bass at the Pan-Pacific Auditorium
        - Oct 28, 1957
 Photo courtesy Robert Gordon's "The King on the Road"
 
         DJ, Elvis and Bill at the Pan-Pacific Auditorium - Oct.
        29, 1957
 Photo courtesy Robert Gordon's "The King on
        the Road"
 
         Elvis and Bill at the Pan-Pacific Auditorium - Oct. 29, 
        1957
 Photo courtesy Robert Gordon's "The King on
        the Road"
 
         Bill's 1956 P Bass #13182 in Memphis - 2007
 Photo courtesy Peter1970
 
        
               Bill's 1956 P Bass #13182 in Memphis - 2011
 Photos © James V. Roy
 
        Today Bill's P Bass is owned by Memphis area collector  Larry
        Moss, who, among other items, also owns Scotty's original ES 295. 
        The bass is currently on temporary loan to EPE, Inc. and on display at
        Graceland. 
         Bill's 1956 P Bass #13182 on loan and display at Graceland - 2011
 Photo © Larry Moss
 page updated June 24, 2011
 *Last Train to Memphis: The Rise of Elvis
        Presley by Peter
        Guralnick 
 
        There's been a story that's been exaggerated and blown
        out of proportion over time about Bill getting angry, throwing down the
        bass and storming out of the studio after not being able to play the
        intro to Baby, I Don't Care.  It's often told by writers and
        fans alike that feel the need to unnecessarily embellish Elvis'
        abilities beyond vocals at the expense of others. Further, it unfairly
        presents Bill in a light that is uncharacteristic of his personality
        which can be attested to by anyone that was ever around him.  Bill and Elvis with Fender P Bass at MGM's soundstage, Hollywood, CA - May 1957
 Photo courtesy David English
 In reality, its much simpler. Scotty said that Bill
          could not play it after several tries, finally said,
        "I can't play the damn thing!" laid down the bass and walked away. He did not slam or slide it. Elvis played it without comment or acting mad, and Bill was not mad at Elvis, but just aggravated that he had not yet mastered the bass. There was no conflict, no bad feelings afterward. As always, the thing gets blown out of sight by everyone who was there trying to top the others' stories. At the time, Bill played slap bass on a fretless
        instrument. His precision was in his feel. Unlike a fretless instrument,
        you can finger a fretted bass anywhere in the fret and the note will be
        true. It was called a precision bass for that reason. Most guitarists today
        easily interchange on bass and guitar so it was no amazing feat that Elvis was able to play it. added June 27, 2011   |