Booker T., Billy Swan and Green
Scotty, Booker T. Jones and Billy Swan at Young'Un Sound
When Booker T. Jones produced
Swan's album "You're
Ok, I'm Ok", released on A&M in 1978, the overdub sessions were held at
studio in Nashville. Originally built and operated as
"Monument Studio" from an old church it eventually became
"Studio One" and finally "Young 'un Sound" when Chip
Young bought it to relocate his studio from home. The album
featured an impressive list* of performers. Scotty did some guitar work on three
of the songs and the Jordanaires also provided background vocals on some of the cuts.
Later, the same studio was sold to Al Jolson Jr. and it became
Masterlink Studio. After Al bought it, Scotty worked there on
several of the cuts on the "All The
King's Men" album.
Scotty with his 63 Super 400 at Young'Un Sound
Booker T. Jones was the organist and leader of the Stax
band Booker T. & the MG's which "may have been the single
greatest factor in the lasting value of that label's soul music — not
to mention Southern soul as a whole." In 1962 they recorded
their debut hit "Green Onions" which was released on an album
with the same name which would define them as one of the "top
instrumental outfits of the rock era". Scotty was one of the
first to hear the song when guitarist
Cropper took the song to him at Sam Phillips Recording Service at 639
Madison Avenue the day after to dub a copy.
Sam Phillips Recording Service in Memphis - August 2003
Photo © James V. Roy
Sam's was the newest studio in town with the latest
state of the art equipment. They had both mono and stereo
mastering rooms and it was only natural that Steve would bring it
there. Scotty did work like that for just about everyone in the
area. The only other place to go at the time would've been
Nashville. Scotty was pretty impressed with "Green
Onions", he though it to be real 'Funky!'.
Booker left the group in 1968, relocated to Los Angeles and
Withers' 1971 gold record "Ain't No Sunshine." He's
since maintained a successful solo career and has periodically reunited with
guitarist Steve Cropper
and bassist Donald "Duck" Dunn for
a series of tours.
at Young'Un Sound
Rear: Billy Swan, Gordon Stoker, and Booker T. Jones
Front: Neal Matthews, Hoyt Hawkins and Louis Nunnelly
Billy Swan wrote "Lover Please' when he was just
16. Bill Black recorded it with the Bill
Black Combo in 1960
before Clyde McPhatter but McPhatter's version went to number
7 on the US charts. In Memphis he worked as a gate guard at Graceland
but then moved to Nashville. Working as a janitor
at Columbia's studios he met and became friends with Kris Kristofferson
who came in looking for work and Billy offered him his position. He
went on to produce Tony Joe White's album "Black and White" with its million-selling single, "Polk Salad Annie"
Playing off and on with Kris' band he wrote and released
"I Can Help" in 1974 which topped the US charts for two weeks. Elvis recorded a version of "I Can Help"
in 1975 and in 1976 Scotty also played on Billy's album "Billy
Swan" produced by Chip Young. They remain friends to this day and
Billy on more than one occasion has sat in with Scotty at performances.
Billy Swan with Scotty and Lee Rocker's band
at the Gibson Lounge in Memphis, TN - August 16, 2002
You're Ok, I'm Ok