1956 Fender Precision Bass
Bill with his 1956 Fender P Bass #13182 - ca.1959 In 1957 Bill Black acquired a 1956 Fender
Precision Bass, serial #13182. Sid Lapworth from O.K. Houck said he delivered it to Elvis personally
for Bill sometime after Elvis first moved in
to Graceland. Graceland was purchased in March of 1957 and though the
family moved
there in May, Elvis did not spend his first night there until the end of
June.
Bill with Fender and Kay basses during JHR sessions at Radio
Recorders - May 1957
Photo courtesy David English
Bill with Kay and Fender basses during JHR sessions at Radio
Recorders - May 1957
Photo courtesy David English
Initially introduced in 1951 by Fender
Musical Instruments it was, as Peter Guralnick wrote, "achieving
almost instant adoption in all fields but bluegrass, because it was
compact, amplified and for the precise fretting it allowed".*
In April and May of 1957, Bill would first use one along with his Kay
Maestro for the recording sessions of Jailhouse Rock and also at
several live performances. Scotty said, "all
the people going along on the trips with Elvis' group got to take up so
much room that there was no longer room for the big bass, so he began to
play an electric."
Elvis with a 1955/6 Fender P Bass at MGM's soundstage, Hollywood, CA - May 1957
Photo courtesy David English 1956
was one of the transitional years for several of Fender's line when they switched
body wood from ash, a highly figured wood, to plain grained alder for
most of production along with vinyl pick guards from polystyrene. On the basses
the finger/thumb rests switched from a one screw mounted wooden rest to a two screw
mounted plastic. Though Bill's featured the latter, they were
actually thought
to have changed in early 1957. By mid 1957 the P Bass itself was
redesigned.
1956 Fender Precision Bass similar to Bill's but with an early style
finger rest
Photo © James V. Roy
1956 Fender P Bass Headstock and tuners on a Maple neck
Photo © James V. Roy The
serial number for Bill's P Bass puts it in the range said to be built in
1956. Unfortunately dating older Fender instruments by serial number is
at best an approximation. Fender was less interested at the time in
tracking serialization than they were at producing a quality product.
When Fender migrated to serial numbers on the neck plates in 1954 all of
their guitars were supplied from the same box, in a sense, in no
particular order (some basses though had numbers on the bridge as late a
'56). As such other techniques like checking handwritten
stamps and dates on necks, bodies, and pickups, along with potentiometer codes and features at times provide closer
estimations.
Finger rests on a 1955 P Bass and an early pre-redesign
1957
Photos courtesy MyGear
and Chicago Music Exchange Unlike automobile manufacturers, certain features and
styles don't begin and end with each model year and Fender often
retooled as necessary which resulted in certain features overlapping
models often classified as certain model years. Parts like
potentiometers were
sometimes bought in lots and supplies were used as needed.
A sunburst ash body 1955 or 56 Fender P Bass with the bridge
cover reversed
Photo courtesy Gbase
1956 Fender P Bass, Alder body with a sunburst finish and
older style finger rest
Photo © James V. Roy
The 1956 Fender Precision Bass traditionally has a 34" scale length and featured a two tone sunburst
(or blond) finish on a solid
Ash or Alder body, 20 fret Maple neck with a 7.25" radius, 1 single coil pickup,
Nickel/Chrome plated hardware with a Volume and Tone control.
Graceland Archives replica Invoice for Bill's Fender P Bass
courtesy Ken Wilbury The P
Bass that Bill, and Elvis, are pictured using in the April/May sessions has the earlier style finger rest and
appears to have an ash body. Archives
at Graceland has an invoice for a Precision Bass and amplifier from O.K.
Houck's dated in August, which in all likelihood is for the one actually
delivered by Sid, and is the alder bodied bass with the two screw
plastic rest. Bill used it on his last tour with Elvis in the fall of 1957 and then
later on Hi Records with the Bill Black Combo.
Scotty, Elvis, DJ and Bill with P Bass at the Pan-Pacific Auditorium
- Oct 28, 1957
Photo courtesy Robert Gordon's "The King on the Road"
DJ, Elvis and Bill at the Pan-Pacific Auditorium - Oct.
29, 1957
Photo courtesy Robert Gordon's "The King on
the Road"
Elvis and Bill at the Pan-Pacific Auditorium - Oct. 29,
1957
Photo courtesy Robert Gordon's "The King on
the Road"
Bill's 1956 P Bass #13182 in Memphis - 2007
Photo courtesy Peter1970
Bill's 1956 P Bass #13182 in Memphis - 2011
Photos © James V. Roy
Today Bill's P Bass is owned by Memphis area collector Larry
Moss, who, among other items, also owns Scotty's original ES 295.
The bass is currently on temporary loan to EPE, Inc. and on display at
Graceland.
Bill's 1956 P Bass #13182 on loan and display at Graceland - 2011
Photo © Larry Moss page updated June 24, 2011
*Last Train to Memphis: The Rise of Elvis
Presley by Peter
Guralnick
There's been a story that's been exaggerated and blown
out of proportion over time about Bill getting angry, throwing down the
bass and storming out of the studio after not being able to play the
intro to Baby, I Don't Care. It's often told by writers and
fans alike that feel the need to unnecessarily embellish Elvis'
abilities beyond vocals at the expense of others. Further, it unfairly
presents Bill in a light that is uncharacteristic of his personality
which can be attested to by anyone that was ever around him.
Bill and Elvis with Fender P Bass at MGM's soundstage, Hollywood, CA - May 1957
Photo courtesy David English
In reality, its much simpler. Scotty said that Bill
could not play it after several tries, finally said,
"I can't play the damn thing!" laid down the bass and walked away. He did not slam or slide it. Elvis played it without comment or acting mad, and Bill was not mad at Elvis, but just aggravated that he had not yet mastered the bass. There was no conflict, no bad feelings afterward. As always, the thing gets blown out of sight by everyone who was there trying to top the others' stories.
At the time, Bill played slap bass on a fretless
instrument. His precision was in his feel. Unlike a fretless instrument,
you can finger a fretted bass anywhere in the fret and the note will be
true. It was called a precision bass for that reason. Most guitarists today
easily interchange on bass and guitar so it was no amazing feat that Elvis was able to play it.
added June 27, 2011
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