1952 Gibson ES 295
Scotty with his 1952 ES-295, Elvis and Bill in Memphis -
Feb. 1955
Scotty with his 1952 ES-295, Bill and Elvis in
Breckenridge, TX - June 10, 1955
Photo courtesy Steve Bonner Scotty traded in his
Fender Telecaster in 1953 for this Gibson ES 295 to Ed Fitzpatrick, the
president of the O.K.
Houck Piano Co. located on 121 Union Avenue in Memphis. He used it initially with The
Starlite Wranglers and then
primarily on tour and all but the last Sun recordings with Elvis.
He traded it in on July 7, 1955 at
Houck's for a Gibson L5.
Scotty with his ES295, #A 12290, in 1955
Scotty with ES295 at the Louisiana Hayride - Jan. 22, 1955
Photo © Nick Gulli courtesy John S. Griswold
Scotty and Jimmy Velvet with the ES295
Jimmy Velvet, a longtime friend of Elvis Presley's and collector of memorabilia
had this to say about the guitar "I purchased the guitar many years
ago for $6,000.00 and it was sold in the early 90's for
$125,000.00. Years ago I showed Scotty the guitar and he verified
that it was in fact the guitar he traded at a Memphis music store for a
new guitar he was purchasing. The guitar as when I had it was featured
in the book by Lee Cotten titled: The Elvis Catalog, Published by
Dolphin-DoubleDay in 1987 it's on page 35."
Scotty's 1952 ES295 #A12290, in the collection of Larry
Moss
Photo © James V. Roy
Early '50s style Gibson White label, serial #A-12290
Photo © James V. Roy
Gibson produced the 295s from 1952 until 59 (58 last
production version but several made in 59 for a Summer show), reintroduced
them in 1994 but has since discontinued them again.. They were
essentially a fancified ES 175 with Gold (Bronze metallic) finish and
floral pickguard. They featured a single
sharp cutaway body, multi-bound maple top, f-holes, raised white
pickguard with etched flowers, maple back and sides with a mahogany
neck, 19 fret* bound rosewood fingerboard with
pearl parallelogram inlay, trapeze wrap over tailpiece (Scotty's was not
stock**), black painted holly wood veneer peghead with crown logo inlay, 3 per side
tuners with pearl buttons, gold hardware, 2 single coil (P90) pickups (P.A.F.
Humbuckers for the last few produced in
1958), 2 volume/2
tone controls, 3 position switch.
Sales literature from the files of Ted McCarty
courtesy Brian Barker
Front and rear headstock of Scotty's ES-295 with gold
Kluson tuners
Photo © James V. Roy
The typical unstable gold finish worn from the neck of
Scotty's ES-295
Photo © James V. Roy
1950's "Bobby Lee" style guitar strap
Photo © James V. Roy Scotty
used to use a "Bobby Lee" style guitar strap with his guitars in the
'50s. He would attach it with the bottom strap button and loop the
other end around the headstock, as was customary with many players at
the time. The strap with the guitar now appears to be the one Scotty had
originally, as near as he can tell.
The body of Scotty's 1952 ES-295
Photo © James V. Roy
The non-stock trapeze type bridge on Scotty's 1952 ES-295
Photo © James V. Roy
Melita Synchro-Sonic bridge on Scotty's as used on '50s Gretsch
guitars
Photo © James V. Roy
The bridge on Scotty's ES295 is a "Melita
Synchro-Sonic" as
used on a lot of mid-'50's Gretsch
guitars. He had this and a Kluson made tailpiece as used on ES125s
and other guitars of that era put on his early on to facilitate more accurate intonation of the guitar. The
tailpiece now on the one believed to have belonged to Scotty appears to be of a similar design seen on some older National archtop guitars and
almost identical to ones made in Japan and
used on some
Japanese models exported to the US and UK in the late '50s and '60s.
Early '50s style Gibson White label, serial #A-12290
Photo © James V. Roy
Scotty with his original ES-295, serial #A-12290
Photo © Larry Moss Around
2007, Larry Moss, the Memphis area collector who currently owns the
guitar, arranged for Scotty to sit down with George Klein and his
original ES 295 to talk about it for a video. It was the first
time he had seen it since Jimmy Velvet owned it and had signed it as the
one used at Sun, and the first time he played it since trading it in
1955.
Scotty with his original 52 ES 295
Scotty with his original 52 ES 295
Scotty with his original 52 ES 295
Scotty with his original 52 ES 295 Even though Scotty only played an ES-295 during the very
early years of his professional career his name has literally become
synonymous with the instrument. Through the years he's been asked to
autograph more than a few though and he's done so with the stipulation
that they not imply that he owned them or played them.1 At least
two autographed by him (7-19-91) were on display at the Hard Rock Cafe's in
Dallas and Nashville.
'50s ES295 autographed by Scotty displayed at HRC Dallas,
TX
Photo courtesy Jeff at HRC Dallas
'50s ES295 autographed by Scotty displayed at HRC
Nashville, TN
Photo © James V. Roy
(original) page added 2002, modified October 11, 2011
*A.R. Duchossoir's book "Gibson Electrics: The Classic
Years," lists a transition date of 1955 from 19 frets to 20
frets. In actuality several examples exist that suggest a
transition that began sometime in 53 with no real consistency.
However they do give production numbers of: 1952=297, 1953=637,
1954=357, 1955=166, 1956=193, 1957=71, 1958=49 totaling 1770.
** We initially believed Scotty's ES-295 to be a 1953
model based roughly on the calculated time frame when he had bought
it. After checking the serial number against Gibson's Bluebook of
Electric guitars has revealed the guitar to actually have been
manufactured in 1952. The two model years, at least, have the same
specifications.
At one time we were told that Danny Gatton had purchased a 53
ES295 that he believed had originated from Memphis. Scotty has been
contacted several times about that guitar and the claims but has
maintained that it is not his, never was, and definitely not one he played
on any Sun recordings. This had been resolved when Danny was alive
but unfortunately the rumors persist.
Scotty autographed this guitar and amp 1992
which belonged to the Memphis Music Hall of Fame
1 In 1992 Scotty was requested to autograph an ES-295
and a Fender Pro amp by John Montague for display in a Memphis Music
Hall of Fame. He agreed to with the stipulation that the
instruments were not to be misrepresented as having belonged to or
played by him. The guitar was a 1952 bearing serial number A12069
and the amp number 1153. In 2002 the instruments along
with a COA from John Montague were sold on eBay under the
misrepresentation as being Scotty's. The instruments were bought by the
Love Street Gallery in San Francisco and sold separately in 2003 as Scotty's.
Each may have changed hands several times and when contacted we've
attempted to set the record straight. Once and for all, the
instruments were not Scotty's, were never played by Scotty and never on
any Elvis recording.
James V. Roy
September 3, 2005
The ES295 autographed by Scotty for the Memphis Music
Hall of Fame
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