Interview at Sun for the BBC
Pete Pritchard, Scotty and Geoff Barker in the
hotel in Memphis - Jan 26, 2014
Photo © Geoff Barker Sometime
last year Pete
Pritchard arranged to have Scotty interviewed by his friend of 40
years, Geoff
Barker of the BBC.
It's rare now that Scotty agrees to any interviews but has done
a couple recently at the request of his friends. The BBC was doing a
program in celebration of the upcoming 60th anniversary of the recording
of That's Allright, Mama this
summer and the interview was scheduled at Sun
Studio in Memphis during January of 2014. A session with Chris Isaak
and Matt Ross-Spang ensued. They were kind enough to share their
pictures and story with us here.
Geoff with the prototype given to Gail of the limited run
of 81 Scotty Moore tribute ES295s recently released - Jan. 27, 2014
Photo © Geoff Barker Pete
and Geoff had flown in from London and Scotty and Gail, along with her
son Wayne, drove from Nashville. Recently Gail was given the prototype
for the limited run signature guitars by
Mike Voltz. Mike, who had been in Anaheim,
CA for the winter NAMM show, left a day early to attend this event.
Geoff said, Scotty and Gail
had brought the ES 295 prototype (no Bigsby) down from Nashville. Mike Voltz of
Gibson was there. Earlier in the day we went
to the Gibson factory and he gave us a tour of the assembly lines.1
They also brought along a Hofner that Pete had previously given to
Scotty who, no longer playing, felt it should go back to Pete.
Chris Isaak watches and Scotty signs a tribute ES295 at Gibson - Jan.
27, 2014
Photo © Geoff Barker
At the Gibson factory in Memphis. Scotty and
Chris Isaak signed the wall where another of the Scotty signed ES-295s
hang
Photo © Geoff Barker Mike
had one more ES 295 (of the '81') that required Scotty's signature and
here's a pic of that happening. It is now hanging on the wall in the
corridor that leads from the shop at the factory.1
At the Gibson factory in Memphis. Scotty and
Chris Isaak signed the wall where another of the Scotty signed ES-295s
hang
Photo
© Matt Ross-Spang
Chris Isaak, Scotty and Mike Voltz with the just
signed ES295 at the Gibson factory in Memphis.
Photo © Geoff Barker
Whilst there, a guitar
Chris had ordered was being finished off and he saw that happening and
did a bit on it himself. (A special paint job...all white).1
Scotty and Chris Isaak watch as "Janey"
cleans the binding around the
guitar Chris had specially ordered.
Photo © Geoff Barker
Chris with his white custom ordered ES335 still under construction -
Jan. 27, 2014
Photo © Geoff Barker
In addition to Scotty, J.M. Van Eaton was there and
interviewed. As a drummer, J.M. as you know, was a Sun sessionist
in the '50s and played on hundreds of recordings, including those of
Jerry Lee Lewis and Charlie Rich and also toured with Billy Lee Riley
and Conway Twitty.
Scotty: "Heck!....not another Barker asking me
questions?"
Photo © Geoff Barker
At Sun: J.M. Van Eaton thinks..."Now just how many Jerry
Lee Lewis records did I play on in this room?" (Start at `Crazy Arms`
and continue ......)
Photo © Geoff Barker
J.M. Van Eaton and
Scotty Moore at Sun - Jan. 28, 2014
Photo © Geoff Barker
Geoff said, We were so pleased to see him [J.M.], he drove 50
miles to get to Sun that night!
[Geoff and Pete] With two true Sun legends. Scotty
Moore and J.M. Van Eaton
Photo © Geoff Barker
Pete Pritchard, J.M. Van Eaton, Chris Isaak and
Scotty Moore at Sun Studio - Jan. 28,
2014
Photo © Geoff Barker The
session involved Chris on vocals and rhythm guitar, Pete on bass and
Matt Ross-Spang on lead guitar. They recorded a cover of That's
Allright, Mama, done the way it was originally. Geoff said, the only thing amplified
was the [Matt's] guitar. Chris's
acoustic and Pete's bass totally acoustic. No headphones needed either.
Just like Sam used to do it.1
Chris Isaak and Pete Pritchard at Sun Studio - Jan. 28,
2014
Photo © Sean Davis
Chris Isaak and Pete Pritchard at Sun Studio - Jan. 28,
2014
Photo © Sean Davis
Chris Isaak, Jerry Phillips and Pete
Pritchard, the headstock to Scotty's Chet
Atkins influenced guitar can be seen in the foreground - Jan. 28,
2014
Photo © Geoff Barker
Matt, Sean
Davis on camera, Chris and Pete - Jan. 28, 2014
Photo © Geoff Barker Matt
Ross-Spang, a guitarist and Memphis native who is also the producer and
recording engineer at Sun Studio told us, Man! What a night! I
always tell people (or they tell me) that I have the coolest job in the
world.2
Matt, Chris and Pete in a screen shot from video take by Sean Davis
- Jan. 28, 2014
courtesy Matt Ross-Spang
Matt Ross-Spang and Chris Isaak during the session - Jan. 28,
2014
Photo © Sean Davis
2014 marked my 10th year at the studio, and it started out extra
special. I am lucky enough to already call Chris Isaak, Scotty Moore,
Gail Pollock, Jerry and Halley Phillips, J.M. Van Eaton and Pete
Pritchard friends but to get them all in the (SUN!) studio together
couldn't be any better. Having the coolest job in the world can also be
the scariest, especially when the BBC calls and mentions a great session
involving Chris, Pete and Scotty, and oh by the way, they volunteered
you to play Scotty's parts...with Scotty there... at Sun Studio... just
like it was cut in 1954 to analog tape...2
Chris Isaak and Pete Pritchard at Sun Studio - Jan. 28,
2014
Photo © Sean Davis
To add to the excitement/terror, Scotty and Gail told me they'd bring
his ES-295 prototype and his custom Gibson guitar gifted by some fellow
named Chet Atkins! [sic]2
Matt Ross-Spang playing Sun Studio's Gibson ES295 during
the session - Jan. 28, 2014
Photo © Sean Davis
Chris Isaak at the BBC session at Sun Studio, with the
Altec 21B and RCA 77DX mics - Jan. 28, 2014
Photo © Sean Davis
I apologized to Scotty before we started cutting, and dubbed myself
"Sloppy Moore". I think you can see my goosebumps from the
photos, but the tracks turned out great thanks to Scotty's direction and
approval. It will air sometime soon on BBC radio, I know its one night I
will never forget! 2
Matt Ross-Spang playing Sun Studio's Gibson ES295 during
the session - Jan. 28, 2014
Photo © Sean Davis
Matt used the studio's ES295 for the session. He said, I played the prototype and the Scotty's Chet Atkin's guitar, both
sounded incredible but had older strings that weren't holding tune, so I
quickly switched to the house 295 with bigsby, that Scotty signed years
ago! Scotty came onto the studio floor from the control room towards the
end of the session.2
Chris, Scotty (offering some advice) and Pete in a screen shot from video take by Sean Davis
courtesy Matt Ross-Spang
Scotty (offering some advice), Pete, Matt and Chris just out of
view - Jan. 28, 2014
Photo © Geoff Barker
Matt, Pete, Chris and Scotty at Sun Studio - Jan. 28, 2014
Photo © Geoff Barker With
the session and interviews complete, everyone was prepared to leave the
next day. Scotty and Gail returned to Nashville and Chris Isaak
also went to Nashville to induct Roy Orbison into the Musician's Hall of
Fame. About that time they were having some extremely bad
weather, snow and ice, across the southern U.S. and ironically, Pete and
Geoff's flight was diverted to Detroit instead of Atlanta to avoid the
snow. The BBC program is expected to air sometime this year and we'll
have more on that as we hear it.
Pete, with his Hofner in a Gibson case, and Geoff at
the Detroit airport prior to boarding for the flight home - Jan. 29,
2014
Photo © Geoff Barker
page added February 14, 2014
Special thanks to Geoff Barker, Matt Ross-Spang
and Sean Davis for the use of photos, to Geoff and Matt for their input, and to Pete Pritchard and Gail for their
help with this page.
1 quote from Geoff Barker
2 quote from Matt Ross-Spang
This interview will be initially broadcast on Monday May
19, 2014 at 10 p.m. on BBC Radio 2, see Scotty Moore And The Guitar That Changed The World.
The Hofner and the P Bass
Hi Jim,
I
thought you may like to know what the guitar inside the Gibson case
looked like. See attached photo.
Pete Pritchard's Hofner, restored and returned
Photo © Pete Pritchard
I'd owned this guitar since I was a teenager. One night several years
ago, Scotty was sitting in my house. We were drinking and listening to
music. Scotty picked up this Hofner and immediately fell in love with
it. He played it all night. So next day, I gave it to him and told him
to take it home. So Scotty had and used the guitar at home for several
years. Bucky Barrett used it on albums in Scotty's studio so It had
definitely gone to a good home. Well, now as Scotty doesn't play
anymore, he said it's only right for it to come back home to me now.
When I gave it to Scotty, it was in a pretty run down condition. He
got it completely restored and fitted with a vintage DeArmond pick up
that he had brand new still in it's box.
Scotty and Pete Pritchard with the gifted P Bass -
January 2011
Photo © Pete Pritchard
Another nice story showing Scotty's generosity.
My precision bass was stolen from a theatre I was working at. Two days
later I was in Nashville visiting Scotty. He heard about me losing my
bass so he walked To his studio and came back with his precision bass
and gave it to me. A lovely guy indeed.
Regards,
Pete
February 15, 2014
added February 16, 2014
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